Play Along Piano

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Baroque

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
Bassoon Continuo	14	0	3	5	100%
Bass as Raymondo	17	0	5	8	75%
Oboe	8	0	2	3	71%

Elisabeth Jacquet de la Guerre Allemande

pental

2:07	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	7	7	6	98%
		28	2	8	8	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	7	7	6	98%
		28	2	8	8	79%

HWV26A1 - Se il mar promette calma - G Major

edward.maurath

4:08	Est. Play Time
65	Measures
	1,469Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	41	6	4	87%
	26	17	7	4	98%
Viola	22	0	7	3	97%
Violino 1	23	0	6	7	97%
Violino 2	24	0	7	6	97%
Double Bass Continuo	22	0	7	3	95%
Violoncello Continuo	23	0	7	3	95%
Bass as Clodomiro	17	0	6	8	75%
Bassoon Continuo	23	0	7	4	75%

Concerto for Four Violins in B minor from L'estro Armonico (RV580)

Jr0119

9:59	Est. Play Time
267	Measures
	5,037Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	28	0	10	8	88%
Violin 1	29	3	10	9	80%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	28	0	10	8	88%
Violin 1	29	3	10	9	80%
Contrabass	25	0	9	8	79%
Harpsichord	24	110	9	8	40%
	30	6	10	8	74%
Violin 2	29	2	10	8	74%
Violin 4	25	2	9	8	70%
Violin 3	24	3	7	8	67%
Viola	22	2	8	8	63%
	21	0	6	8	61%

[WIP] Toccata and Fugue in D Minor, BWV 565, for String Orchestra

Austin Harning

14:14	Est. Play Time
250	Measures
	1,871Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	30	4	11	10	87%
Violin I	33	1	12	10	82%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	30	4	11	10	87%
Violin I	33	1	12	10	82%
Violin II	27	6	10	11	78%
Violoncello	26	0	9	10	76%
Double Bass	22	1	7	9	54%

Zelenka - Regem Cui Omnia Vivunt, Officium Defunctorum (ZWV 47)

johnsmith1

10:59	Est. Play Time
241	Measures
	2,635Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
Violins I	29	1	12	9	79%
Violins II	28	0	11	8	78%
Alto	14	0	5	7	67%
Flute	26	9	10	6	65%
Oboe	22	10	8	6	54%
Bass	13	0	3	6	32%
Soprano	11	0	3	4	27%
Tenor	9	0	2	4	26%

J.S. Bach - "Kleine" Fuge g-Moll (BWV 578)

Antoine Portes

3:53	Est. Play Time
68	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	28	10	8	97%
	27	8	8	78%
	22	6	7	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	28	10	8	97%
	27	8	8	78%
	22	6	7	50%

Kyrie in E minor (Opus 17)

schoutens

9:49	Est. Play Time
288	Measures
	2,861Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	35	8	15	9	88%
	36	2	15	9	96%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	35	8	15	9	88%
	36	2	15	9	96%
Violoncello	24	0	10	8	75%
Contrabass	24	0	9	9	56%
Bass	23	0	10	8	55%
Violin	29	0	10	9	46%
Viola	27	0	9	9	41%
Soprano	19	0	8	8	35%
Alto	19	0	7	8	30%
Tenor	19	0	7	6	29%

Vivaldi RV 565, Concerto in D Minor for 2 Violins and Violoncello

eireamhoine

7:31	Est. Play Time
198	Measures
	3,494Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Solo Violin II	40	0	11	9	96%
Solo Violoncello	43	0	14	9	96%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Solo Violin II	40	11	9	96%
Solo Violoncello	43	14	9	96%
Solo Violin I	42	13	10	95%
Continuo	42	14	9	77%
Violin II	40	11	9	72%
Viola	37	11	9	71%
Violin I	41	12	8	70%

Chorale Fantasia on Te Deum Laudamus BuxWV 218 by Dieterich Buxtehude

ChurchOrganist

12:54	Est. Play Time
268	Measures
	3,748Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	23	11	10	92%
	31	5	10	9	93%
	20	0	5	9	53%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	23	11	10	92%
	31	5	10	9	93%
	20	0	5	9	53%

HWV61A2N46 - Regard, O son, my flowing tears

edward.maurath

6:48	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
Cello	23	0	7	10	98%
NITOCRIS	16	0	6	9	76%
Violin	23	2	9	9	71%
Violoncellos	17	0	5	9	69%
Violone	17	0	5	9	69%

Aria: "Rühmet Gottes Güt und Treu" (BWV 195 No 3) for Double-Reed Trio & Strings

Mike Magatagan

9:00	Est. Play Time
155	Measures
	1,312Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	25	0	8	5	100%
Violin 1	27	0	10	7	98%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	25	8	5	100%
Violin 1	27	10	7	98%
Violas	19	6	7	97%
Violin 2	28	9	6	97%
Bassoon	23	8	8	68%
English Horn	20	5	7	33%
Oboe	20	5	7	33%

HWV26A3N11 - Alza il Ciel pianta orgogliosa - d minor

edward.maurath

5:31	Est. Play Time
100	Measures
	1,239Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	8	6	90%
	27	40	9	6	99%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	8	6	90%
	27	40	9	6	99%
Bassoon Continuo	26	0	8	6	99%
Violin	31	0	12	6	68%
Violoncello Continuo	23	0	7	5	68%
Violone	23	0	7	5	68%
Bass as Clodomiro	17	0	5	8	63%
Oboe	24	0	7	5	41%

Frescobaldi: Canzon dopo l'Epistola (La Messa della Domenica) (1635)

SpaceGuru5

3:07	Est. Play Time
59	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	6	9	87%
	21	6	8	77%
	5	0	2	10%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	6	9	87%
	21	6	8	77%
	5	0	2	10%

Reverse sketch for a concert. Reversible in unum consulere stude.(Etude-tableaux Opus 4. No.1)

ArrangerMan

2:50	Est. Play Time
103	Measures
	1,107Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		43	56	28	11	72%
		59	56	41	9	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		43	56	28	11	72%
		59	56	41	9	79%

F. Francoeur: Symphonies du Festin Royal de Monseigneur Le Comte d'Artois (1773)

Fabio Lee

8:35	Est. Play Time
122	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viol. et hautb.	26	1	7	10	100%
	26	1	7	10	98%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viol. et hautb.	26	1	7	10	100%
	26	1	7	10	98%
Haute-contre	19	0	6	9	89%
Taille	17	0	5	8	88%
tous *(Basses, Bassons)	26	0	8	9	79%